Note Number 27…We’re Spending the Kid’s Inheritance…

A little poem followed by what we did for Easter Weekend…

We’re spending the kid’s inheritance
And hoping that they won’t mind,
As we fulfil our dreams and ambitions
Keeping our bodies and minds alive
Because, until we reach the end of the road
And hear that inevitable knock on the door
We’re spending the kid’s inheritance,
And, we’re enjoying it, further more

We’re spending the kid’s inheritance
On doing as much as we’re able
Like, city breaks, beach holidays, classy hotels,
Sunshine, roses, champagne and those
Wonderful visits to London to see
The ballet, or theatre, or an art gallery
We’re spending the kid’s inheritance
We’re retired and at last we are free

Don’t worry, we’re not really selfish
And, there’s something I really should add
Most of our kids are now better off
Than their soon to be skint mum and dad!

Ninette Hartley © February 2017

Last Easter weekend we spent in London…a city break. We stayed at the Royal Overseas League in St. James’s where we are members. It’s a wonderful club, where they had a deal; four nights for the price of two. It’s perfectly situated for central London, shopping, theatres, museums etc., We packed in a lot of stuff…

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The Man Enjoying Window Shopping….(nooooo- not another bike!!) 

1. Friday train from Crewkerne to Waterloo. Lunch at the club. Evening a visit to the Dominion theatre to see An American in Paris. A new show, a stupendous show and well worth a visit. The dancing, mostly balletic, is wonderful, culminating in a fabulous pas de deux with the leading characters, Jerry Mulligan played by Robert Fairchild and Lise Dassin played by Leanne Cope. The Man said it was the best bit of ballet he’d ever watched.

american

2. Saturday we went to the Regent Street Cinema to watch an uncut version of Novecento (1900) directed by Bernardo Bertolucci and starring Robert De Niro and Gérard Depardieu. An epic five hours and twenty minutes of film plus a forty-five minute, interval. The story covers 1900 – 1945 showing the situation in Italy between the Socialist party and the Fascists, seen through the eyes of two boys, born on the same day, one a peasant, whose family live and work on the estate belonging to the family of the other. I wasn’t sure I could sit through such an epic but actually it was like reading a good story, settling in and not putting the book down until you had finished the whole thing. I loved it.

regent street cinema
3. Sunday we took ourselves off to the Imperial War Museum but only managed to cover three of the five floors in four hours. We’ll definitely be going back. The Holocaust Exhibition was particularly powerful with images, artefacts, interviews with survivors and a lot more. Disturbing, informative and thought provoking.

tulipsstjames

Beautiful Tulips in St James’s Park – We walked to the IWM 

4. Sunday evening we were treated to a musical concert at the club. Not something I would normally choose, a soprano, Sarah-Jane Lewis, and a piano, but I have to say, the singing was beautiful and the pianist, Simon Lepper, accomplished and not bad looking. The songs were short, diverse and Sarah sang in three different languages. We were given the programme with all the words translated so it was easy to follow. A glass of wine after the concert and a chance to thank the artists for their performance, rounded off the evening.

The Steinway….and The Programme

5. Monday, we were to meet a couple of our children for lunch at Dishoom in Carnaby. The Man had bought a couple of pairs of shoes on Saturday morning and I had said in a mad moment, ‘I’ve always wanted a pair of DMs.’ Well, we were early for our appointment so had a walk around and lo and behold there was the original Doc Martin shop in Carnaby Street. Had to be done!

dms

THE BOOTS…photograph credit Will Hartley 

In the evening we went to see The Wipers Times (so called because the British soldiers pronounced Ypres Wipers) a first world war play written by Ian Hislop and Nick Newman, at The Arts Theatre. A completely opposite venue to the Dominion it was an intimate theatre, more like a club, and the production was low key but splendid. Based on a true story about the 24th Division of the Sherwood Foresters who found an old printing press in the burned out ruins of Ypres and decided to print a satirical newspaper covering the war. The main men, Captain Fred Roberts and Lieutenant Jack Pearson, co-editors continued to produce the journal throughout the war. It was an instant hit with the troops but not so popular with the top brass. Spoof advertisements, agony aunts, musical hall jokes and routines and always taking a jibe at those higher up. If you can catch this play it’s a must.

The Arts Theatre Bar – loved the light fitting… The Programme for The Wipers Arms

Back home to Dorset on Tuesday we felt we had crammed plenty of culture into our weekend away in London and hope it’s not too long before we can cram in another. In the meantime, we’re attending as many of the 22 films showing over the next five days at the Bridport Film Festival, From Page to Screen. We’ve already seen, In the Heat of the Night and Their Finest, both bloody brilliant and only a hop down the road.

I love being Retired…

feelingenergetic

Note Number 25…A Visit to the Ballet…

Programme ENB

I’m not a ballet critic nor a balletomane to the fullest extent but I do love a good, live ballet performance and it’s something I missed out on a great deal when living and sunning myself in the region of Le Marche Italy. I was a dance teacher in the UK for twenty-five years and during that time, for four years published a dance magazine called The Youngdancer,  a financial disaster but artistically and personally quite an achievement. I think I know a little bit about dance after that experience.

A trip to London last week and I booked tickets for Sadler’s Wells to see The English National Ballet’s triple bill. In the Middle, Somewhat Elevated, Adagio Hammerklavier and Le Sacre du Printemps (The Rite of Spring). I knew a little bit about all three ballets but was a bit worried about The Man, who is not a great lover of ballet but does appreciate the ability of the dancers and has grown to like it more, since he’s been hanging about with me. I had told him beforehand, ‘if you don’t like the dancing at least you can close your eyes and appreciate the music.’

In the Middle

In the Middle, Somewhat Elevated

Well, the first performance began with a blackout on stage and an almighty electronic crash that made my heart jump out of my chest and my nerves endings tingle with fear and that’s how the accompaniment  continued. I was regretting my comment immediately. I sat through the dance and for me the whole thing was overpowered by the loud discordant noise of the ‘music’. The dancers could not be faulted and the choreography ‘interesting’ though I’m not a fan the beautiful classical motif being abruptly finished, then a casual walk off stage completely out of character as though to grab a coffee and light up a fag. I’m sure that William Forsythe had his reasons but it’s just not for me. Thom Willems, I did try to like your music. So, basically, jury still out on this one for me, but The Man? He loved it, especially the music. Well, you never can tell…

Adagio Hammerklavier

Next was Adagio Hammerklavier, music by Ludwig van Beethoven. This time music I could not fault you, it was medicine to soothe my damaged drums and lull me back into the world of beauty. Choreography was slow and absorbing, though Hans Van Manen (choreographer) still managed to throw in an unessessary flexed foot every now and then. Why must they do that? Costumes, flowing and fitting. Dancers, technically and artistically striking, bodies working together with a unity and completeness that only comes from rehearsal and hard slog. A joy for me to watch.

Last in the triple bill was Le Sacre du Printemps (The Rite of Spring) choreography by Pina Baush and this was the one I was looking forward to. My daughter had been raving about Pina Baush a couple of years ago and I had not had the opportunity to see any of her work so this was a treat.  Before the performance began, a team of stage assistants, (or they might have been dancers) came on in brown coats and spread the whole stage with peat. As I understand, from the programme, the idea of this was to ‘ground’ the dancers, it’s not a pretty classical dance but, it is to be danced as yourself, to give yourself up to the dance and the music.

rite of spring

The music is by Igor Stravinsky. Pina Baush said that the music was the dance and the dancers are the music. Jo Ann Endicott, who was the rehearsal director for this performance and had worked with Baush in 1996, said that if you weren’t exhausted at the end then you hadn’t danced properly. Well, I can assure you, I was exhausted at the end and I didn’t dance a single step but I was captured and on the edge of my seat for the whole time.  The women’s dance was frenzied, panicky, desperate. They danced in unison, sometimes repeating the same phrase over and over at a frenetic pace, moving huddled together in mesmerising rhythmic, earthy patterns, like animals cornered. They would split apart, running and moving everywhere, then return to the safety of the herd. The feeling of terror and desperation as each girl thought she might be picked out was tangible.  The costumes were simple and cream coloured and were soon covered in the peat from the floor. The men’s bare torsos, heaving and pumping with energy, were quickly dirty and smeared, rendering them, (the men that is) basic and primal.

Passing from one girl to the next was the terrifying, red dress. Though tiny and inert,  it seemed to be the most powerful presence on stage.    The young girl who finally became the ‘chosen’ one in said, red dress, danced herself to death with an outstanding performance. What a sacrifice.

The Man’s verdict on Rite of Spring? ‘Well, what was all that about?’ You just cannot tell what a person will enjoy when it comes to the arts can you? It’s all so subjective.

Next performance visit will be American in Paris  Watch this space.

All photographs used in this post are taken from the English National Ballet programme. Individual photographers were not credited so I cannot credit them here. I hope they don’t mind. 

Families…

Scan

On June 13th 2013 my brother, Tony Hatch, was in New York where he was inducted into the Songwriters Hall of Fame. When I was a very young girl we would have regular family evenings with Tony playing the piano and the rest of us singing. (That’s me on top of the piano in the photo above.) Often on a Sunday we would travel to Bedforshire to my mother’s sister where other aunts, uncles and cousins would arrive and we would all sit round a huge dining room table (it was a full size snooker table with a cover on it) and eat roast dinner cooked on her Aga. I remember the delicious sticky meringues she made for dessert. Of course we were lucky to have a relation with a large enough room to accommodate us all. After lunch all the kids would pile out into the garden to play. I lost contact with my cousins for some years but I’m glad to report that more recently we have been in touch again.

I think the Italian family is still a very strong unit. I was chatting the other day to an English friend and we commented on the style of housing here where there are many large properties, old and new, divided into two or three apartments. Instead of being occupied by different families these apartments house different generations of the same family; ground floor grandparents, first floor parents and younger children, top floor married son/daughter and their family. I haven’t researched this but I don’t think families in the UK would take to this mode of living but here it works very well. Babysitters are on hand and there is always help for the older generation without having to call in too much in the way of home help or putting older relations into homes unless absolutely necessary. Of course, they don’t always live together in harmony!

The typical Italian family here in Le Marche live a very close knit life, coming together on Sundays for church and massive family meals in large restaurants or each others houses. Many Italians don’t move far from home, particularly in the rural areas, although that could be changing as these days there is a need to travel further afield for work. In my capacity as English teacher I am always amazed at how many cousins are at school together, sometimes six or seven in the same class of twenty students. This reinforces my belief that Italian families stay close together.

Our family are now spread all over the world, New York, Singapore, Wales, England and extended family in New Zealand and other far flung places, but I’m pleased to say that when we get together there’s always someone to pick up a guitar, play the piano or the harmonica and everyone joins in with a song or two. We enjoy big family meals too! Haven’t quite mastered the technique for the meringues though.